In Adolf, Pip Utton breathes new life into the Führer and whips up the audience. The performance begins in Hitler's bunker in 1945, where he lashes out furiously at his generals, they have lost his war. In his paranoid tirade, he reveals the mechanisms behind fascism. But then the scene shifts abruptly and we find ourselves in an everyday pub, here and now. A man rants about the world and the country: liberal asylum laws, blacks on the streets, Muslims, Jews, Palestinians. An ordinary man, just like you and me?